Tuesday, February 13, 2018

Answering review request: The Nosferatu Chronicles - Origins

Susan Hamilton asked me to read her book "The Nosferatu Chronicles - Origins". This is a vampire book that, as it title says, posits an origin of vampires. It has an interesting take on this that I will elaborate in this review. I will Plot, Character, and Polish, and then assign a grade.


The main thrust of this novel is an alien race called "the Vampri" struggling to survive on Earth after a natural disaster forced them to abandon their native planet. It's impressive how quickly Miss. Hamilton established the rudiments of their society while introducing her protagonist, Kevak. How their society is structured and stratified, how they live, what they eat, etc. is all established in a non-intrusive fashion. This is done via contrast with the current emergency and all within a couple pages.

As their exodus continues, one truly gets a sense of their desperation. They are starving and grieving and doing everything they can to establish a new normal. Not only do unexpected hazards keep unsettling them but unexpected positive events provide for sharp hope. This prevents their trauma conga line from getting stale and turning into a Deus Angst Machina.

There are other, minor, plot threads that appear at first to have nothing to do with this main narrative. There are a Welsh blacksmith that wants to emulate King Arthur by joining a crusade, a Turkish archer dragged into Ottoman court politics, and a herbalist from Wallachia preparing for a resurgence of a local monster. They are small digressions from the main narrative and eventually connect with it without distracting from or bloating it. Indeed, the blacksmith only has one or two solo scenes before he joins the main event. Then there's the historical Vlad the Impaler, who you KNOW is going to be important later.


There are lots of different kinds of vampires here. All of the usual myths and elements are accounted for but given a twist to fit the setting along with original stuff from Miss. Hamilton. Few stories that I have read provide such a fine in-universe explanation for both Our Vampires Are Different and Your Vampires Suck.
1. The Vampri are the original aliens. They look the most like humanoid monsters of the group but they don't drink blood because they're herbivores. They have no vampire weaknesses except sunlight because their bodies can't stand solar radiation.
2. Vampri who ingest human blood become vampri-human hybrids. They look human but have superhuman abilities. Human blood acts like a drug, explaining their traditional horror hunger. They act viciously because adrenaline helps them manage this addiction. The only way to kill them is a headshot.
3. Humans who ingest Vampire blood also turn into hybrids with the same skill set and weaknesses but are weaker as a whole than Vampri. This is why they are called "vampires" or "sub-Vampri".
4. All the other usual weaknesses, like garlic and crosses, are a result of Your Mind Makes It Real. These humans believe they have turned into a folk monster called "Stigoi" and so they also believe they have the same weaknesses. It is implied rather than stated that they are also the weakest of the lot because they were created by a human-vampri hybrid.


Despite the fact that crosses are only effective against monsters that think they are effective, there is a intriguing religious element. Kevak comes across a bible in his struggles (among other books such as the works of Socrates, Plato and Aristotle) and sees parallels between its contents and Vampri history. It helps him come to terms with his personal grief involving a tragedy that occurred during the evacuation of his planet and also his guilt about his involvement in oppression and murder.

The really interesting part about this religious element is that Vampri society is secular via Outgrown Such Silly Superstitions and even mentions that a similar belief about a deity that is friendly to the poor and downtrodden died out as technology made manual labor less necessary. Despite knowing this, Kevak converts to Christianity and is inspired to be "humanity's Good Samaritan". Furthermore, the staple of the Vampri diet, hemo-crops, are processed into two forms, a wafer for eating and a red liquid for drinking. They certainly provide a "salvation" of sorts.

Wow, that is long, isn't it? I totally didn't mean to do that. Anyway, I like the conclusion. It was surprisingly tense and gripping considering its parameters. It was this sense of "we're so close to making it but something could still go horribly wrong". It closes the book's conflict to provide for a sense of resolution while simultaneously planting seeds for future stories.




Kevak is the protagonist of this story and its hero as well. He is a Science Hero and a family man. As the story unfolds, a Real Men Love Jesus trait develops until he's basically a Good Shepherd. There is lots of personal conflict with him because he is an introspective sort. He grieves and has moments of doubt but it is not wangst.

Mazja is the closest the book has to a Big Bad, yet she's not really evil. I'd saw Lawful Evil at worst. She's basically dragged into villainy through a combination of anger, grief, accidental (and really quick) drug addiction and starvation. One can see how well-intentioned and reasonable she is at the start of things and see her morality erode as time goes on. Indeed, the Token Good Teammate considers her draconian disciplinary measures a Necessary Evil at one point.

Chaluxi presents an interesting question: how does a good man stay moral when only immoral options are available? How he copes with the events of the plot make him an exemplary foil for Kevak.

Vlad the Impaler is multi-faceted here. He is ruthless to his enemies and strict with his soldiers. He is  a caring husband, but also has a number of mistresses. He is chivalrous but is also more severe with his punishments on "fallen" women than men. I did a little research and much of his life here is accurate to real life, aside from the vampire bits, of course.


A couple errors here and there. I don't penalize for this unless it is more common.

There was an event that struck me as such a narrative weakness that I was going to mark down a full grade for it. This is because it was a coincidental and foolish behavior with so many points of failure that it broke my willing suspension of disbelief. However, I thought about it and realized that lots of moments, for and against this character, as well as other characters, occurred. This was not a one-time device to heavy-handily shift the plot but a theme of the story. Mistakes happen and random chance events occur; that's life. Or God working in mysterious ways, as Kevak would put it. From that perspective, it was not a narrative weakness at all.

Trickster Eric Novels gives "The Nosferatu Chronicles - Origins" an A+

This has been a free review request. Susan Hamilton wanted an honest review so I provided one.

Click here for my previous book review (also a request): The Adventures of Sir Edric

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Tuesday, February 6, 2018

Answering Review Request: The Adventures of Sir Edric

Thaddeus White asked me to read his novel "The Adventures of Sir Edric". It is about a knight who is far from chivalrous going on adventures similar to such a knight. I want to say it is a parody of epic adventures. It is certainly a comedy. It is also the third book by Mr.White that I have reviewed and I have thus gained a high opinion of his ability as an author. This book is no exception. I will examine Plot, Character and Polish and then assign a grade.

First, this book is actually two stories. I think they were separate at one point but now they are together in this book. They are "The Adventures of Sir Edric Volume" and "Sir Edric's  Treasure".

The first one is similar to a Redemption Quest but it is played like a stealth suicide mission. The second is more like a treasure hunt. I say it is a parody because of the motivations for these quests and dissonance between what Edric says and what he thinks.

The first is presented as a heroic adventure for king and country but Edric suspects that the king is sending him on a suicide mission in retribution for committing adultery with the queen. The beautiful sorcereress accompanying him, who would likely be a love interest (Defrosting Ice Queen style) in a straight version, is actually his jailer who maintains a low opinion of him throughout. Instead of taking action himself, he foists all the dangerous stuff on his braver and more competent manservant.

The second has the same qualities as the first but a significantly different set up, which makes it the same sort of enjoyable but a different sort of interesting because Edric is in a situation more suited to his true nature.

Much of the comedy in these stories comes from Edric talking like a chivalric and heroic knight while thinking thoughts that instead reflect a pragmatic and misogynistic mercenary. There's also Schadenfreude from the dangerous, embarrassing, or painful things that happen to him, usually as a result of his actions but also like a karmic kick. For readers like myself, there is a third source of comedy in the use of the tropes. Literary concepts like Boring Return Journey are lampshaded, examined, and/or mocked.

Both stories have an ending suitable for this story's tone. I like them. They close the conflict but they are not happily ever after sorts.


Sir Edric is a noble and used to be an active knight. Now he's more sedate, and by "sedate", I mean only rouses himself to go to a whore house. Aside from this laziness, he has about every other vice you could name: greed, snobbery, misogyny, irreverence, cowardice, lack of empathy, hypocrisy etc. There's one scene where he's pretending to be a monk as a disguise and someone asks him for religious advice, and he does so in exchange for a fee. A Nominal Hero if there ever was one, but it suits him in this world of grey and grey morality. Indeed, the only reason he's not a Villain Protagonist is because he doesn't actively do anything evil, and he usually has something, or in the case of Lysandra, someone, to keep him focused on heroic acts.

 It also makes him a comedic duo with his manservant, Dog. He is the wise guy doing something immoral, pragmatic or whatever, and Dog is the straight man who reacts to it.

 While it is easy to see him as someone who relies on Dog to do all his fighting for him, he's not incompetent. He demonstrates skill with a crossbow, a sword and in quick tactical thinking. It's just that he's pragmatic enough to stay away from immediate danger and talk or trick his way out of a fight in the first place.

Dog is described in book blurbs as "pathologically loyal", which is indeed true. The things he does out of feudal duty truly stretch the bounds of credible belief. That's part of the humor in his character because Sir Edric definitely doesn't deserve it. For instance, "Dog" is not his real name but something Sir Edric decided on because he didn't like Dog's real name. Nor does he get any credit or appreciation. Without Dog, Erick would never accomplish or survive half of the stuff he does.
He is an example of Good Is Not Soft as he is a courteous fellow that still kills enemies with little hesitation.
His past is mysterious because he has skills that do not coincide with some him being some random commoner.
Personally, I see Edric as a supporting protagonist and Dog as the hero of this story. He's much more traditionally heroic with his loyalty, bravery, and feats of daring do, etc. except he is Edric's sidekick. Yes, it is a strange blend of roles which one of the things I like about this book.

Lysander is the third character to span both stories. She is an elf sorcercess assigned to assist Sir Edirc on his first adventure, and make sure he doesn't abandon his quest. She is a Celibate Heroine who wears a Dangerously Short Skirt. She appears to follow a standard Defrosting Ice Queen arc but still thinks him a cowardly sex-obsessed jerk in the end. Her humor comes in the form of her being a sheltered academic unused to adventuring, and the banter she has with Edric over his unwillingness to aspire to noble action.


Both stories look good spelling and grammar wise. However, there is one thing in the second book that is odd.

There is this scene at the start of a chapter that comes out of nowhere. It is not connected to the previous chapter and does not connect to the following scenes. It is an argument that does not have any basis in previous conversations; "how dare you! Have you no respect?" I don't see what that refers to. It can't possibly refer to tripping over an invisible object and the response would make no sense in context. It involves a permanent shift so I can't dismiss it as a Big Lipped Alligator Moment. There is even a text-breaker area of blank space between it and the next scene that suggests it is isolated.

Trickster Eric Novels gives "The Adventures of Sir Edric" an A+ for Temple of Doom, a B+ for "Treasure" and an A+ over all.

This has been a free review request. The author requested an honest review so I provided one.

Click here for my next book review (request): The Nosferatu Chronicles - Origins

Click here for my previous book review (for fun): Medieval Towns - a reader

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Tuesday, January 30, 2018

Read for fun: Medieval Towns - a reader

"Medieval Towns - a reader" is a book from one of my college classes. It is only recently that I've had time to fully read it.

This is a book of primary sources related to urban communities in Europe from the Late Roman Period to the Late Medieval Period. It covers mostly Western Europe: British Isles, Iberian peninsula, Italy and Sicily, and the eastern parts of Germania.

It covers a broad range of subjects: economy, religion, marriage and families, social conflict, entertainment (which is mixed with "civic ritual"). The documents available to them vary from court documents and chronicles to private diaries, and from personal letters to royal proclamations. Each one is sandwiched by a paragraph giving background information on it, which I assume to be written by the editor, and a group of questions about it. I presume these are meant to be discussion questions because the answers to many of them are not contained within the documents themselves.

I found them interesting. As a novelist, I expect to make frequent use of this book whenever my story takes place in a medieval European setting.

Something like this is too outside my standard grading system to give an official grade, so I'll just given it a "Pass +".

Click here for my next book review (a request): The Adventures of Sir Edric

Click here for my previous book review (also for fun): Sword Art Online volume 9

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Sunday, January 21, 2018

Something unusual: A Culinary Experiment

Today I'm going to share something unusual. It is a culinary experiment I performed today.

See, I keep special treats around for celebrating when I finish something exceptional, such as finishing a draft/publishing a book or completing a video game. Yesterday, not only did I finish a game but I also completed all its sidequests (there were basically two in the whole game, but all is all. It was Xenosaga Episode I for those interested). So I opened a packet of Lindt 90% cacao . It is a significantly different experience than the 76% percent with almonds that I ate previously; intense chocolate flavor. I think it would be better used as a caffeine replacement than a treat.
Then I remembered how Lindt's website talked about how a 100% cacao bar is suited only as a baking chocolate and I decided to go that route.

The recipe I planned is cacao bars (distinct from chocolate bars),  maca powder, and cheerios mixed together. I'm expecting it to be this clumpy finger-food thing. It is something like this one recipe that my Mom makes around Christmas time, which she calls "Kibbles and Bits", but that has white chocolate and other stuff. I'm going simpler for my first try. This is what happened.

Cleaning all of that up took as long as mixing everything up. I put the end result in the freezer. Then I moved to my favorite part of this sort of recipe; licking the mixing bowl. There was a faint taste of maca. I think it's because I only added two teaspoons of boiled maca to the thirteen or so squares of cacao. Perhaps I'll add more next time, or add cinnamon instead of or in addition to it.
What does this have to do with writing? I think that food preparation adds a sense of reality to any scene or culture. How they eat, what they eat, the things they do to food before they eat it; all these things inform the reader about them and influence their actions and the world around them. However, I don't do much in the way of food preparation myself. Usually, it's just adding spices to my oatmeal. So this was fun. Hopefully, it will also be tasty.
Edit: It wasn't. The water I used to boil the maca was added to the chocolate sauce with the maca. So when I mixed it with the cheerios, it made the cheerios soggy. This produced an unappealing texture.  In retrospect, that should have been obvious. Also, the maca taste was missing. I threw it all out.  
Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Tuesday, January 16, 2018

Read for fun: Sword Art Online Volume 9

I finished reading Sword Art Online Volume 9 recently. This is the start of the Alicization Arc, which, as of this posting, has not been adapted for an anime (although one is in the making). This was a novel experience for me as I watched the first four arcs before reading them (technically, I've only read the first two). I will examine Plot, Character, and Polish before assigning a grade.


What I like about this arc, and this volume in particular, is the three layers of plots. On one hand is the immediate plot about Kirito investigating the new world, Underworld. There's also the in-universe storyline which he himself is a part of; the history of the Human Empire within the End Mountains. The third is the most far-reaching, the ongoing conflict with Laughing Coffin. It began when he clashed with them in Aincard and continued in confronting Death Gun and now there's a conflict in real life. There are hints of something more going on in real life with Rath and the Soul Translator, but I'm not that far yet.

The beginning is kind of disorienting since it starts in what does not appear to be a virtual world or the real world but a more typical medieval fantasy setting and has a boy named "Kirito" who acts as though he is a native of this world. This is thoroughly explained after the prologue and I found it interesting regardless. It was intriguing even, whether or not this was a role play.

This arc is quite different from previous ones in that it is an ontological mystery. When the story proper starts, Kirito has to figure out where he is and what he's doing there before he can do anything else. He even considers the possibility that he's been transported to another dimension, before dismissing it as ridiculous. He has no idea what's going or what's happening so he has to figure it out as he goes. For a guy once derided as a "beater", this is indeed a new experience.

In every way, he's starting out at level 1; not even his meta knowledge about VRMMORPG in general is useful because this game features real pain, no predictable spawning points, and no level-grinding (at least, nothing that he can track; I think stat increases are based on feats rather than grinding). Criticism about how Kirito is "uber-broken" or whatever has no place here.

There's also humor here, such as jokes about Kazuto being a henpecked husband and some self-deprecation to the general shonen genre and even previous arcs of SAO itself such as Kirito trying to predict the storyline he's been flung into.

There's more focus on Kirito and Asuna's relationship as well, which I think is nice given the perception about the franchise being in the harem genre. It's an understandable misconception that stuff like this volume clears up. An exemplary moment is when, shortly after being stranded in Underworld, Kirito considers himself a "CPU that's missing half its cores" because Asuna isn't around; endearing nerdy for the VR-addict.

There is an excellent split ending - the series' conflict is set up and ongoing but the specific conflict in this volume (centered on the Gigas Cedar) is closed.


Kazuto/Kirito continues to be introspective in this volume. As in Volume 4, where he contemplates the difference between physical reality and virtual reality, in this one he thinks about the nature of existence and life itself. Part of this is that Yui, his beloved A.I. daughter, is not fully "alive" in the way he himself and Asuna are because she is mimicking human behavior based on watching the 3,000 SAO players for two years. However, Fluctlight based programs, like the natives of Underworld, are just as alive as he is because they are clearly not limited in knowledge/behavior/expressions/etc. to a limited pre-programed database. This leads to pondering if he is a Tomato in the Mirror, i.e. one of those Fluctlight based programs based on the real Kazuto.

Incidentally, he considers faithfulness to Asuna to be fundamental to his personality and identity.

Several new characters are introduced, such as Euego, Alice and Selka (though I imagine readers will see far more of the first two than the third). Euego is this Beware The Nice Ones kind of character - friendly, helpful, understanding, and also brave, solid and has a lot of practice swinging an axe. Alice strikes me as an Iron Lady in-the-making because of her determination and bossiness, but also has a mischievous streak via Loophole Abuse and some cute traits like asking her friends' opinion of her cooking (and "secretly" getting her mom's help with it).


I don't recall any technical errors.

Trickster Eric Novels gives "Sword Art Online Volume 9" an A+

Click here for the next book review (also for fun): Medieval Towns a Reader

Click here for the previous book review (a request): A Change of Heart - The Royal Blood Chronicles

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Tuesday, January 9, 2018

Answering review request: "A Change of Heart - THE ROYAL BLOOD CHRONICLES"

Mark Benjamin asked me to read his novel, "A Change of Heart", the first in his Royal Blood Chronicles series. I will examine plot, character and polish and then assign a grade.


The story is told through rotating viewpoints. Every chapter has a different perspective and some of these "chapters" are a couple paragraphs long and consist solely of a character's thoughts. You might need a flowchart to keep track of who is who and related to whom. I typically frown on this sort of thing because it dilutes the narrative, among other things, but this case has so many viewpoints and it rotates so rapidly through them that it crosses a kind of literary event horizon and becomes useful; for storytelling, for webs of alliances and schemes, and for Omniscient Third Person.

Assuming that one can keep track of everything, it becomes a marvelous device. There is a LOT of scheming and backbiting and plotting going on, and this rotation of viewpoints enables the reader to see all the points and developments in real time. It develops the setting and character dynamics in a way that a single viewpoint never could. It also helps to lessen the Gary Stu factor of Gabriel because he is just one viewpoint among many and doesn't intersect with the main story for over a hundred pages. This story does not revolve around him.

It has a slow pace. This is a consequence of the viewpoint kaleidoscope. Gabriel isn't turned into a vampire for many "chapters" and doesn't realize this for many more; dozens of pages. The Silver Legion drafting Gabriel and his friends, which is described in the book's blurb, doesn't happen for one hundred pages, and by then the reader will have figured out on their own all the exposition given in the draftees' orientation, which further slows the pace.

In my opinion, this book causes Darkness Induced Apathy. That's what we at Tvtropes call it when the story/setting/etc. is so grim and awful on all sides that the reader stops caring what happens to whom. The vampires are, of course, vicious monsters. Even the more sympathetic ones think nothing of torturing and killing both humans and other vampires For the Evulz or something equally petty. The Silver Legion is no better, being an equally Deadly Decadent Court which cares more for killing vampires than protecting humans from them and recruits via kidnapping and indoctrination. Gabriel is too much of a pacifist to do more than protect his friends (he doesn't even want to feed on squirrels, let alone human, even evil ones) and said friends get absorbed in the culture of this shadow war.

This book has an interesting twist to the whole "protagonist transformation into magical superbeing" thing; no one to explain. Gabriel doesn't know he's become a vampire until a week has passed because his transformation took that long. He basically has to figure everything out on his own. His initiation to the secret world of fantasy is an entirely separate event.

One flaw in the story that I noticed is an inconsistency in the Silver Legion's structure. One part says that they are a secret government agency and another part says "we answer to no one" and says that the organization is older than most modern governments.

There is an open ending but it is more sequel hook rather than cliffhanger. If one considers "the fallout of the assassination of Lucas" to be the story's main narrative thread and Darius' Evil Plan to be the conflict, then there is....not really "resolution" but more of a changing of gears.


Gabriel is kinda-sorta the protagonist. The rotating viewpoint device mentioned in the PLOT section makes this story more of an ensemble thing but he's the closest to a central viewpoint character.

He's a nice guy, a nerd and a stereotypical wimp. He's also a vessel for wish fulfillment; getting bitten by a vampire made his life better on all accounts and he doesn't have any their weaknesses. The amount of Wangst makes him even more annoying.

When he realizes that he's a vampire, he REALLY pushes the Cursed with Awesome angle. He even rejects the Vegetarian Vampire route.

Gabriel's friends are a pair of foils and a love interest. There's the intelligent rich nerd who envies Gabriel's "change" into a socially smooth hunk and there's the jock who used to protect him from bullies and now suddenly feels socially threatened by him. The love interest is basically a nice girl without much else to add. What happens when they are drafted into the secret war is where things get interesting.

The rich nerd appears primed and ready to Jump At The Call but then he gets a more complicated view of things. The jock appears to assimilate into the hyper masculine Social Darwinist of the vampire hunters (a la He Who Fights Monsters) while the love interest jumps on board with the Fantastic Racism as soon as she sees that her little sister was in danger because of the vampires.

Darius is a half-breed royal vampire, a noble. He's the one with the Evil Plan. He is Cruel, arrogant, and ambitious to the point of kin-slaying. He's also completely lacking any sort of compassion or empathy for anyone. He even wears a turtle neck to hide his bite mark and so pretend to be a full-blooded vampire. It looks like the only reason his evilness hasn't exposed him is because vampires as a whole are a nasty lot.

Vincent is one of the rising stars in the Silver Legion. Now this guy is a messed up piece of work. He acts all gung-ho for vampire slaying just like his best friend (the guy whose in love with his own adoptive sister) when he actually wants to make the vampire hunters implode because he wants to be a vampire. It's not because he thinks being a vampire is awesome but because his mother turned into a vampire and he lived with her Momma's Boy style until the vampire hunters "saved him" by killing his mom.


There were a couple of spelling and grammar problems, but those were minor. More pressing is when one character's name is used in place of another's. It's like the author got confused.

There is lavish detail on injuries suffered by the characters. It is gruesome to the point of Gorn.

This book is long and drawn out. I am no stranger to that. I've been accused of it myself. This book has Gabriel spending several pages of story (most of his time in each of his viewpoint chapters) indulging in each individual superpower as he receives it to the point that he does something like watch ants crawl from the far side of his yard. That is too much even for me.

Trickster Eric Novels gives "A Change of Heart - THE ROYAL BLOOD CHRONICLES book 1" a C

This has been a free review request. The author requested an honest review so I provided one.

Click here for the next book review (for fun): Sword Art Online Volume 9

Click here for the previous book review (request): Gama Ray Games

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Tuesday, December 12, 2017

Review Request: Gamma Ray Games

Holly Rivney asked me to read her novel, Gamma Ray Games. I will examine plot, character and polish and then assign a grade.


Upon reflection, this story sounds like an episode of Star Trek; literally one episode. There's this military crew sent to investigate a mysterious incident on some other planet. The captain and two others (one of them a medical officer) investigate the incident, there's a romantic liaison, some fist fighting and ray gun shooting, and then, after a resolution, the captain leaves for another mission. I could see this happening in a 30 minute block of screen time.

As soon as Kellaam is revealed to be as Quinaal's husband, I thought I knew exactly what was going to happen. By the book's conclusion,  I was only half right.

I like the ending. Mission accomplished and all that, but there a couple threads left dangling or other, personal angles that could develop the book's verse later on, which is also nice.

Captain Thomas Jackson is a good protagonist. He's compassionate, focused, competent, doesn't angst excessively about a lost opportunity with Quinaal. I know some people would call him "bland" or "boring" and that is unfair. He wrestles with personal and galactic dilemmas which, on their own, make him plenty interesting.

Quinaal is the second most prominent character, female lead you could say. I was afraid her role would be a mere Old Flame Love Interest but she is more developed than that. She is a geologist and a medic (she uses powdered metals for healing infected wounds so they're intertwined). She is the only person suspicious of the new technology because of her knowledge of other worlds.

I can't say much of anything about the rest of cast.

There's maybe one or two errors. It was nothing worth noting while reading.

I feel I must justify and give context to the grade. Far too often I see people using a two point scale to judge things; it's either great or terrible. Thus, anything lower than a full score means bad or mediocre (which also means "bad"). I once gave a C to someone and they thought that meant that I "despised" the book. According to my grade scale, a grade of a "C" does not mean "bad". It does not mean "average" either. It can mean one of two things: 1.) That book has no weaknesses or strengths and is thus a solid, well constructed story that simply doesn't, in my personal opinion, excel in any area or 2.) a book that excels in one or more areas and also has a significant weakness or two. In this particular case, the first one is

Trickster Eric Novels gives "Gamma Ray Games" a C

This has been a free review request. The author wanted an honest look at her book so I provided one.

Click here for the next review request: "A Change of Heart"

Click here for the previous review request (a request): "My Shorts"

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Tuesday, December 5, 2017

Answering Review Request: "My Shorts"

Arthur Doweyko asked me to read his short story collection, "My Shorts". Yes, the double meaning is intentional. Being unrelated, I can't use me usual method so I will instead list my impressions.

The trick with a short story is to introduce a setting, a cast of characters and a conflict and reach a resolution of some kind in a minimal amount of space. In opinion, it is variable whether or not Mr.Doweyko succeeds here.

"Harry and Harry" is definitely a success here. It is set up and resolved quickly and effectively. There is no pretentious twist at the end. Emotions are conveyed with the laconic intensity of a poem; Harry's depression, enthusiasm, relief etc. jump off the page. There is nothing to add here. It is like lean muscle.

"Andrew the Last" possesses none of "Harry and Harry's virtues. There are gaps in the setting that lead to a long line of headscratchers, (listing them all would be spoilers but the author may contact me directly if he wishes to see it) which render me unable to take the character's emotional conflict seriously. There is a perplexing twist at the end with no explanation or resolution. "Perplexing" is a word a character uses; when asked about the confusing state of affairs, he replies, "It is perplexing, sir."

"Mars I" is another one that I like. Its premise and starting point enable it to be either a mind-horror tragedy or a black comedy and a funny one at that. Its events might not have happened at all, and its reality could be something completely different.

"The Probability Machine" has a bunch of glaring holes in its internal logic. I think of it as similar to the Twilight Zone. "P'sall Senji" likewise.

"Linda" is not even a short story. It is an excerpt from a larger work. Given its content, I wonder what it is doing in this collection because it is realistic fiction (possibly even historical, but it is outside my area of familiarity so I can't be certain) among science fiction.

Trickster Eric Novels gives "My Short" a C

This has been a free review request. The author requested an honor review so I provided one.

Click here for the previous book review (a request): Gama Ray Games

Click here for the previous book review (for fun): Spice and Wolf Volume 6

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Tuesday, November 21, 2017

Read for Fun: Spice and Wolf volume 6

Spice and Wolf volume 6; I was eager to start this one because it is the first volume to go beyond the anime. The anime was so interesting that I wanted to continue Lawrence and Holo's story. With their voice actors continuing to speak in my head, it was a lot a fun.

There's a radical change in status quo here. First of all, there is the introduction of Cole, a little boy who joins the main cast. He kinda-sorta becomes Lawrence's merchant apprentice but wants to study church law instead in order to gain the ability to protect his pagan village. He's an interesting addition to the duo's dynamics (I had to come up with my own mental voice for him).

Because of Cole's age, the main cast is basically a family unit now. Lawrence and Holo are more or less an official couple at this point. Lawrence's feelings are out in the open but Holo's got this Mayfly December Romance fear. The economics typical of the series take a backseat as the volume delves more into the leading couple's relationship. Prime among them is the fact that their journey will be ending soon. It's intriguing to see continuous development that is also a in-universe delaying tactic.

This is not to say that there are no economics. On the contrary, it continues. For instance, Cole's backstory leads into a discussion about the education system in this time period. There's no publicly funded school system so education is significantly different. Those who can afford to hire private tutors. Those who can't pool their money together and hire a wandering scholar.

As far plot, this book picks up directly from the fallout of the last book's climax. I.E. they are pursuing someone from the previous book. Holo sounds like she really wants to sink her teeth into "the vixen". This is the second change to status quo.

The third change is how the book starts. Usually, there is a prologue about the pair traveling in their cart to the next town. Not n this case. Leaving Lenos is the prologue. There's no more cart at all. They're sailing down a river now.

Isuna Hasekura has written another solid entry for this series.

Trickster Eric Novels gives "Spice and Wolf volume 6" an A+

Click here for the next book review (request): My Shorts

Click here for the previous book review (request):From Ice to Ashes

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Tuesday, November 14, 2017

Answering Review Request: From Ice to Ashes

Rhett Burno asked me to read his novel From Ice to Ashes. Technically, it is a sequel to Titanborn (which I reviewed at this link) but the two stories take place simultaneously so it is effectively a stand alone novel. I will examine Plot, Characters, and Polish and then assign a grade.


This novel has several parts to it, story-wise. The first section feels like a slice-of-life world building sort of thing. Then it shifts into a more espionage-y thing and then into something bigger; broader in scale and higher in stakes. It's like a tunnel that expands as events take place and the protagonist develops.

Your Terrorists Are Our Freedom Fighters is a huge chunk of the narrative. Considering the Fantastic Racism involved in this setting and the living conditions of most Ringers, it is easy to feel sympathy for the Children of Titan despite the horrible things they do.

It has a good beginning, well, technically, beginnings because it has a prologue. The first, and thus the official opening for the story, is the immediate aftermath of a woman shanking her rapist. Yes, it is gruesome and it is a laconic view of the setting and conflict; the rapist was the Earther captain of the ship she worked on and being marched into his bedchamber on a regular basis was an unofficial job duty of a Ringer. The second beginning follows up on this, Kale Drayton staking out his Earther pickpocket target because it is the only way a Ringer can make a living outside of menial labor that pays next to nothing. This leads into a chase scene. It is a good set up for him, his situation and his conflict.

Though it is a stand-alone novel, I feel there is benefit to reading Titan Born first. It adds a level of context and detail to events that I find valuable. It is a Another-Side-Another-Story appeal as the protagonist of that book, Malcom Graves, is an Earther collector who investigates the crimes committed by the main cast in this book, who are Titan born (a.ka. Ringers). In particular, the stinger for this book will not make sense unless the reader has read Titanborn.

The ending is strong. It is a natural consequence of the initial conflict and the actions taken to resolve it. I kind of want to call it Protagonist Journey to Villain since it involves Kale moving from a pragmatic pacifism to a more ruthless pragmatism but maybe that is more Gaining the Will to Kill mixed with the setting's Grey and Black Morality.


Kale Drayton is the protagonist (using the term "hero" is debatable but he's definitely the viewpoint character). He is an average guy in as far as is "average" for Titan Born. That is, he is cynical, a clean freak, and intensely dislikes Earthers. In fact, he's unusual in that he doesn't like starting fights with Earthers.

He's also a Momma's boy. It is fair to say that everything he does in this story is motivated by his concern for her (whether or not she approves of what he does is of lesser importance).

Over the course of the story, I would say that his essential shift in character is to a different flavor of pragmatism. He goes from a self-preservation don't-want-trouble sort of pragmatism to a more opportunistic hit-them-where-it-hurts-most sort of pragmatism, which, in the long view, is still self-preservation. The progression makes perfect sense and is well executed. The ending is a dark sort of triumphant.

Maya is Kale's cynical mentor. She makes a foil of mother-figures with Kale's own biological mother. This is highlighted at the story's close in a magnificent and gruesome fashion. She also shows the distinction between a good field leader and a good organizational leader.

Captain Sanders is quite well constructed and useful for the narrative. He's friendly to Ringers, reasonable as a captain and employer, and is otherwise a gruff but nice guy. He even hires a Ringer to be his navigator for the simple reason that she is better at it than the Earther she replaced. Yet even he is part and parcel of the society oppresses and exploits the Titan born.


Mr. Bruno clearly put a lot of thought into this story's setting and it shows in the consistency of the rules and how they affect characters and the story. The interlocked nature of this story with Titanborn also shows how they can add value to each other but not be required reading. I think I saw a couple of mistakes throughout the book but I could be wrong about that.

Trickster Eric Novels gives "From Ice to Ashes" an A+

This has been a free review request. The author requested an honest review so I provided one.

Click here for the next book review (for fun): Spice and Wolf volume 6

Click here for the previous book review (request): Tethered World: Blue Star Setting

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Thursday, November 9, 2017

MLP: Friendship is Magic Season 5

I finished watching My Little Pony: Friendship is Magic season 5 recently. I immensely enjoyed it.

The idea of Cutie-Map-Adventures is a good one because it enables different kinds of episodes. It's a Quest narrative like adventurers from another genre, but instead of something like "defeat the evil overlord" it is "solve a friendship problem". This means that the Mane Six can help someone else with their problem, in a new setting, without having to argue with each other to provide an episode's conflict.

I also like it because it shows that the writers/directors etc. aren't afraid to change the status quo. The core of the show remains the same but the nature of some of the episodes changes, there is a change to the cast (addition rather than subtraction, which I think goes better) and progress is made on another front. I'm excited to see where this is going.

Some of the episodes have a lot of songs (so many they're practically a musical), but they're good songs so I enjoy them.

Starlight Glimmer is another example of this series finding new ways to express the same core. She is a villain with a warped idea of friendship that tries to enforce this idea on others. That is not something that has been done in the series before. Nor is she some evil eldritch monster like previous Big Bads (such as Nightmare Moon, Discord, Chrysalis, or Tirek). She's just a unicorn with power, talent, and a lot of motivation to fulfill her evil plan.

Some episodes were weaker than others. "What about Discord", for instance, is one that I think tried too hard pushing its central conflict. I still like but not as much as others, such as "Rarity Investigates". Being a novelist, "Canterlot Boutique" struck a special cord with me.

Trickster Eric Novels gives My Little Pony - Friendship is Magic Season 5 an A+

To read my review of "The Journal of the Two Sisters" click here

P.S. I ordered the sixth season soon after this and it arrived two days ago. I watched the opening two-parter and I'd say the season is off to great start.

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Tuesday, October 31, 2017

Answering review request: Tethered World Blue Star Setting

Gregory Faccone asked me to read his novel, Tethered World Blue Star Setting. This is the second book in the Tethered World series. I reviewed the first one here.
The first thing I should mention is the very long prologue. There's like 40 pages of recap and people reacting to the events of the previous book's climax.  It is framed by a long training exercise for our protagonist, Jordahk. This is a significant contrast to the previous book, which boasts of not only a In Media Res but also being headlined by a piece of in-universe propaganda, so the reader has no idea what's going on or why. For a while, I thought this book was going to be more of an anthology than a single story given the title (i.e. more "setting" focused than character). The pace picks up after this point but this is still representative of the rest of the book.
With this book, "Mystic" level technology has basically become "space magic". I feel justified in calling it that because the author's own page says that he is influenced by Arthur C Clarke's Third Law: "sufficiently advanced technology is indistinguishable from magic".

I have no problem with Magitek. I like that trope. My thing with it is how it doesn't appear to have a Magic A Is Magic A nature. Perhaps I missed something, which is certainly possible given how much thought Mr. Faccone put into world building, but it appears to me that the only rule Mystic tech follows is the Rule of Drama. Mystic Tech will always work always but it will just barely work, just barely be what you need and getting it that far is difficult, painful and risks a Heroic RROD.  On the other hand, it is always awesome.

There is one Beam-O-War scene featuring Jordahk that is worthy of epic music as a background theme. Then there's the climax, which rates high on the Holy-Shit-Quotient and is fully deserving of its dramatic buildup.
This book has plotlines which, in my view, are not strictly necessary for the book. This includes Pheron Xammetrix's subplot, which is basically a Humiliation Conga all the way up to the climax. It has only a small effect on the main plot (important but small). I like this side plot. I find it interesting and it adds circumstantial stuff to the initial mystery that leads to the climax but it is curious on a first read through.
In retrospect, there are two plotlines. One is recovering Aristhal's old mystic ship and the other is investigating the strange behavior of the Perigeum starmada in order to stop their next encroachment.
Through out both plotlines, there is a strong message of "people in government are, with rare exception, greedy and lazy morons". It doesn't matter if it is Perigeum or Cohortium. The narration calls this the fallen nature of man. It makes sense and fits with the tone and setting but there is more than a whiff of Author Tract.
I think that the author did a much better job with the Perigeum this time. In the previous book, the characters of the Perigeum were flat and monolithic entities with lots of off-screen villainy. Here we see individual bad guys that are distinct from some "evil military officer" or "evil politician/bureaucrat" archetype and how they work against each other as much as enemies outside the Perigeum. We also see exactly what the Perigeum does to worlds under its control, retroactively spelling out what could have happened to Adams Rush in the previous book. Beuker is like a space-age "1984" hell-hole.
My opinion of the ending is as follows. It is bittersweet, its conflict closed in a satisfactory manner, and there's a good sequel hook. I have only one complaint. There is a Disney Death that zigzags so much that I don't know where it landed. It is frustrating, disappointing and leaves me feeling like They Wasted A Perfectly Good Character.
Technically introduced in the previous book, only now does she have a significant role.  Khai-aLael Khrais has several layers to her personality. She is cute and innocent but also reliable in all situations and skilled in combat. Her backstory is interesting. She reminds me of Nia from Tengen Toppa Gurren Lagann, only more stoic.
It's nice to see the senior Wilkrests doing important stuff, both off-scree and on-screen. Usually in stories with kid or teen protagonists, adults are useless but that is not the case here. In fact, Jordakh prevents Khai from aiding his parents in a fight by basically saying "watch and learn".

Jordakh himself is still developing. He lacks the confidence that his elders possess but pushes on anyway out of duty, heroism, and perhaps desperation. He is an uncertain Determinator.
There is also a backstory/flashback for Aristhal, Jordakh's grandfather. It shows a glimpse  of the Sojourn's Crusade. It was interesting to see him before he became a grandfather and a mysterious mentor.
The villain this time is Prime Orator Janus (orators are kind of like senators in the Perigeum government). He is a despicable sort and thus a much clearer villain than Pheron. While Pheron was definitely a bad guy, he had Villainous Valor. It's this sense of "I will accomplish my mission to the best of my ability" and "I am proud of the skill and intellect that I worked hard to cultivate". He did not display selfishness or pettiness. Janus is nothing like that
. In addition to his Evil Plan, he has an odious personality; petty vindictive, gleefully wastes taxpayer money, and even ignores a diplomat to consider ways of "acquiring" the guy's wife. There are other villains but this guy is the Big Bad (considering the ending, maybe Arc Villain is more appropriate).
A couple of spelling or grammar errors. They happen in large works.
Trickster Eric Novels gives "Tethered World Blue Star Setting" a B+

Click here for the next book review (a request): From Ice to Ashes

Click here for the previous book review (for fun): The Journal of the Two Sisters

This has been a free review request. The author requested an honest review so I provided one.

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Saturday, October 14, 2017

Read for Fun: The Journal of the Two Sisters

The Journal of the Two Sisters is a companion piece to the Friendship is Magic main series. I bought it for the glimpse into the show's backstory. It definitely delivered on that.

This is backstory specifically for Celestia and Luna. It starts when they were first crowned princesses of Equestria, shortly after its founding. Their half of the book records their activities from that day through officially taking up their duty of raising the sun and moon. It fills the gap between the Unicorn Tribe doing it in the origin story, "Heartwarming Eve", and Celestia and Luna doing it in the story recounted in "Mare in the Moon". (Small note: The journal ends before Discord's reign of terror).

It is a fun read. The journal is written in-universe (what the human reader holds is a defictionalization) and so the personalities of the two princesses show in the first person narration. As it turns out, Pinkie used the Organ-to-the-outside exactly as Luna designed it. Fans rarely get to see Celestia and Luna interact as sisters and this has a lot of that. They fit the mold of the Foolish Sibling-Responsible Sibling dynamic; Celestia is a polite princess and a book nerd while Luna likes adventure and pranks.

There are lots of adventures within this tory. They range from befriending a manticore in the Everfree Forest to negotiating peace with the griffin kingdom. Also, there's something with the ROYAL CANTERLOT VOICE that is too awesome to spoil here.

It's not just the royal sisters. Starswirl the Bearded is also an important character here. He was basically Merlin to Celestia and Luna's King Arthur. No wonder Luna could recognize Twilight's Nightmare Night costume and praise it for accuracy. 

The second half of this book is the full version of the Mane Six's journal entries from Season 4 of the main show. It was fun to read those too but there was nothing new there.

Celestia and Luna have alternating motifs of sun and moon and warm and dark colors for their pages. The art style is similar to fairy-tale recounting in "The Mare of The Moon". The Mane Six (and others) also have distinct backgrounds. This adds to the emotion of the book.

Trickster Eric Novels gives "Journal of the Royal Sisters" an A+

Click here to read the next book review (a request): Tethered World Blue Star Setting

Click here to reach the previous book review (a request): Light of the Radiant

I reviewed season five of the main series as well.

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Tuesday, October 3, 2017

Movie Review: Legends of the Hidden Temple

Legends of the Hidden Temple began as a TV game show on Nickelodeon. When I was a kid, it was among my favorites. I loved watching it, especially the Temple Runs at the end of each episode. Now, imagine my delight when I discovered that there was a movie about the show that was basically a one-hour-long temple run!

This movie does a splendid job as an adaptation of the TV show. The idea of the challenge, the traps and puzzles of the rooms, the temple guards, the time-limit, Olmec as a guardian etc. all of it is translated into a "this is the real deal" adventure from the game format. Kirk Fogg is here too as a theme park tour guide.

Frankly, it's amazing how they fit parts of the show into this adventure. The team names were animals that lived in the temple, one of the kids is given a helmet by his parents just in case he jumps into something dangerous and needs it, the three minute count down, and, of course, Silver Monkey Shrine jokes. This is only a small sample. Fans of the show will love spotting these. I did, obviously.

Furthermore, it is not just a translation of elements. There is a cohesive narrative here. There's backstory to explain the purpose of the quest (for once, Olmec's stories include himself). The three siblings have character development (mostly the elder two). Yes, the plot is simple and straightforward, maybe even "bare boned" but it is solid. It has just enough to support the main event.

Trickster Eric Novels gives Legends of the Hidden Temple an A+

Click here for the previous movie review: Assassin's Creed (2016)

Brian Wilkerson is a independent novelist, freelance book reviewer, and writing advice blogger. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).

Thursday, September 28, 2017

Answering Review Request: Light of the Radiant

Light of the Radiant by Matthew Ward. I very much enjoyed the previous book in The Reckoning series, Shadow of the Raven (you can read that review here) and I eagerly waited for the second book to come out. I even jumped on a short prequel as an appetizer ("A Matter of Belief"; it was also really good). Did these two build up my hype too much? Nope!

It has an engaging start using In Media Res. Edric, Cal and Jamar are investigating a cult but got caught instead. The reader joins them as they are being escorted to a sacrificial alter. Everything flows smoothly from there to the very end. It's remarkable how what can look like a Deus Ex Machina is actually a heavy clue to The Reveal.

Indeed, there are a lot of hints about The Reveal before it comes out and even before it becomes obvious. It's a "snapping into place" feeling meant to be shared with the protagonist.

Whereas the previous story was heavy on mystical mystery, stealth, and fighting Things-That-Go-Bump-In-The-Night, this is more of a political conspiracy story. There is a lot of wheeling n' dealing; "political theater" is what Edric calls it. Investigation is here too but it is more uncover-corruption than find-the-arcane-secret. Indeed, Edric treats Azyra more like the mortal/human ruler of a foreign country than some fey overlord. Certainly, he does it more for her than Malgyne or Jerrack.

I find the Serathi's society and history interesting. The world building of it and how it relates and interacts with what is known from the previous book has this wonderful building-up effect. This rich mythology is one of my favorite parts of this series.

Overall, I would say this story is a different experience from the previous one. There are mysteries and narrative twists but it feels like the world has been sketched out; the highest level borders are in place. More than that, the story is more....straightforward than the previous. The bulk of the plot concerns the Serathi and their preparations for The Reckoning. Perhaps what I mean to say is that there are fewer factions and the motivations between each faction is less opaque. There are lots of factions but they have more minor roles. SERATHI is everywhere in a way neither the trees nor the ghosts of the last book were.

The ending is fantastic. It is a neat trick to close one book's conflict and threats while simultaneously shifting weight to set up the next with a sequel hook.


Edrin has much lasting great development. Most importantly, he is no longer a depressing mope. Now it's more like snark and Heroic Self-Depreciation. The relationship upgrade with Arianwyn has done wonders for his mood and outlook. His character arc has moved on towards the future instead of dwelling on the past but it is clear that the past still influences him.

Also, he is moving towards Seen It All. The events of the last book have left him unimpressed by further supernatural happenings. For instance, when he meets the Serathiel, the ruler of Sky Haven and leader of a race of angels, he interacts with her like he would any human ruler (i.e. politely but suspiciously).

Arianwyn is now a Defrosted Ice Queen. The couple-y scenes she has with Edric are cute and romantic but not overwhelmingly so. She has a new character arc as well, and also rooted in the events of the previous book. Namely, it is a tug between doing what she can for the people of the republic, which she wants to stay a republic, and resisting the urge to become queen so she doesn't have old and stubborn upper class twits sitting on their hands and obstructing her. It contrasts nicely with a Scared of Her Own Strength subplot regarding her magic.

Calda has a more substantial role in this book, and, wow, it is more dynamic than Edric's. There's enough fuel for an interquel. She is the one who thought up the idea for the misadventure that became the Media Res start, something big happens to her and then she goes drastically off the rails. In some ways, it is a foil for Edric's response to the same, and underscores how different they have become culturally.

Azyra the Serathiel. She is Imperial, Proud and Mighty. She's also not as clever as she thinks she is. It's basically favorable circumstances (i.e. she is The Spook and has a Bigger Stick than anyone else). What likes Beneath The Mask is both egoistical and tragic.

Elynna is adorable. I'm not sure if this is accurate, but I picture her as this little child-like cherub. She's likely much older than that but that's the impression I get because she's so friendly and cheerful and lacking in guile.

Elspeth is another new character. Her introductory big moment was executed well. I also liked the Fair Folk part of her personality. It is clear that she is not human but equally clear that is she human-like, if that makes sense. I loved her banter with Edric. In retrospect, it makes the bombshell she dropped make perfect sense. The way she describes her connection with the Palace of Dreams was interesting world building.


It looks good. I think I saw a handful of errors over the course of the book. It happens when books are of a sufficient length.

Trickster Eric Novels gives "Light of the Radiant" an A+

This has been a free review request. The author requested an honest review of their book.

Click here for the next book review (for fun): The Journal of the Two Sisters

Click here for the previous book review (for fun): Doctor Who - The Secret Life of Monsters

Brian Wilkerson is a freelance book reviewer, writing advice blogger and independent novelist. He studied at the University of Minnesota and came away with bachelor degrees in English Literature and History (Classical Mediterranean Period concentration).